austin

KITTY COEN

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The Deli's SXSW Issue 2014 is online!

Read it digitally here.

P.S. 10k free copies of this issue hit the street of Austin during SXSW Music week!

   

Indulge on a Fresh Glass of Disco Lemonade

Kitty Coen’s debut EP, “Disco Lemonade'' is officially out for the world to savor.

With every release leading up to this EP, the variety of different sounds and influences on display has continued to grow. Now that she has a more full body of work for people to explore, her artistic toolshed of skills and songwriting abilities appears larger than ever before. The 7-song slate proves that Kitty is here to stay for the long haul. Every song is unique in its own way, necessitating many listens, while also being straightforward and simple enough for the listener to easily absorb the magic of each song.

 

The album begins with my personal favorite, “Holy.” This track starts off being reminiscent of 90’s alt-rock, slowly building into a disco-ish beat that nearly guarantees a trip to the dance floor. Next is “Dark Soul,” the song that started it all for Kitty. In just three minutes, Kitty is able to blend pop, psychedelia, and electro sounds, showing that she’s far from being a one trick pony. “Lost in California” is driven by a groovy beat and features some more psychedelic vibes. Uncoindentally, the lyrics are inspired by a psychedelic experience, and Kitty’s ability to perfectly pair the instrumentation with the song-meaning is certainly uncanny.

 The EP transitions into the upbeat, latin infused title track, “Disco Lemonade.” Simply put, the song oozes sensuality and it also showcases Kitty’s ability to craft catchy, alluring vocal melodies. The next two songs, “Fade” and “Wave Side,” consist of hypnotic instrumentation with hints of dream-pop, and Kitty’s signature, Mazzy Star-esque vocal delivery. “Wave Side” in particular cultivates an atmosphere of floating through space, while also exhibiting some jaw-dropping vocals as the song progresses. Lastly, the EP concludes with a folky, acoustic driven track called “That’s Alright.” Yet again, she shows another side of her musicality, with influences of Fleetwood Mac and Bob Dylan shining through to create a 60’s/70’s soft-rock type of vibe.

What’s most impressive about “Disco Lemonade” is that no two songs sound the same. She effortlessly conveys many emotions and sounds through an entire gauntlet of different genres. This can be risky for some artists, but for Kitty, every song is uniquely her own, and the album as a whole is a fully-formed display of musical synergy. Kitty Coen’s young career is off to a blazing start. And as she continues to hone her craft even more, I think it’s safe to say her best work is still ahead of her, which is saying a lot considering that “Disco Lemonade'' is from top to bottom, a remarkable debut album.

   

Reinvention or Reimagination: Sho Humphries Urges Us to "Dream Again"

Before embarking on his next great adventure, Austin ukulele sensation Sho Humphries made sure to bestow his loving local community with a parting gift. Sho’s debut EP Dream Again is a triumph of creativity, an exploration of sound and style from a young musician whose bravery surpasses even his immense talents.

In Sho’s nimble hands, the ukulele is transformed. Empowered. Liberated. He embraces the instrument as something far beyond its simplistic representation in public perception—more than a toy, more than an instrument for beachside celebration and casual singalongs, the ukulele is an embodiment of possibility itself. In Sho’s hands, the ukulele seems infinite, irrepressible. It breathes water and whispers fire and sings of a bright tomorrow.

The growth showcased between earlier releases and this new EP are striking. Sho’s 2017 instrumental album Making Summer Memories flirted with musical expressionism, pushing and pulling at the boundaries of expectation while staying firmly rooted in a larger framework for what ukulele music is and can be. Opening track “It’s Shotime!” is a notable exception, its near-frantic urgency and rock-and-roll aesthetic harbingers of both Sho’s sonic fearlessness and profound, near-brooding pensiveness. The rest of the album tends toward bright and buoyant, though the assertive percussiveness of each strike sometimes seem to belie an underlying (and typically teenage) impatience.

2020 single Love You! was the virtuoso’s first foray into electronic looping, his airy, math rock-y riffs given ample room to breathe and, in turn, breathing life into a lo-fi trend threatening to sedate swaths of the younger generation. The track showcases a young musician at peace with the process of finding peace — more patient, perhaps in love with the simple joy of making music. The chorus is endearingly heartfelt, and all the more powerful for it: “Breathe in, breathe in/Love out, love in.”

 With the Dream Again EP, Sho emerges more confident, more hopeful, that familiar sense of urgency appearing again but tempered now by faith in himself and the future. He is more accomplished than ever on the ukulele itself — every finger-picked run impeccable, every strum irresistible. But the sentiment underlying each song feels more profound, more mature, more complex. What might once have felt like emotional reactions are transformed into careful reflections and reimaginations.

The echoing, atmospheric emptiness of the title track slowly evolves, swelling with elegantly amplified ukulele riffs that complement, rather than overpower, Sho’s stirring baritone (on debut!). Tight songwriting and a deep appreciation for the power of empty space cultivate in a wonderfully distorted crescendo, with Sho’s direct poeticism lending a sense of urgency to Sho’s pleas for the world to “dream again,” to build a better future and to avoid our own mutually assured destruction.

A return to Sho’s sonic roots — hopeful, determined, vibrant — “Rising Hope” builds on that momentum. It is the song of rebirth and reimagination, the sound of grass beginning to grow again as a new sun shines a light on far-off horizons. There is a sadness of sorts underpinning it all, a recognition that new beginnings demand their own sacrifices — what once might have been innocent idealism is tempered by an acceptance of reality that makes Sho’s resolute optimism all the more impactful.

Vision and imagination, determination and dynamism — these are traits we desperately need in our younger generations, who we have collectively burdened with so much responsibility and expectation. Armed with his ukulele and a searching spirit, Sho Humphries is stepping into the world ready to make a change.

 — Adam Wood